Statement

I have been involved with clay for over 10 years and have studied ceramics to degree level in Bath, which opened up a multitude of making and firing techniques. I have spent the following years experimenting in my spare time and have had the fun of participating in a variety of kiln firings including turf and pit firings.

I enjoy the randomness of pattern and colour that pit and bonfire firings give. An electric kiln gives the safety of correct temperature and continuity of glazes which can be helpful in many types of ceramics. But the excitement of the unpredictable results of firing with wood is like opening presents on Christmas day. I participated in two bonfire firings at the Portland Arts Centre in February and March which renewed my passion for outdoor firings. Since then I have dug a small pit in the garden and continued experimenting.

After trying various types of clays in the bonfire firings I found porcelains clays worked well at holding the colours from the firings.  I was also pleased with the result of paper clay which survived well in the fluctuating temperatures. My work is now made with porcelain paper clay. The paper burns out during firing leaving the work very light weight.

Once the work is bisque fired I dissolve salt in water and mix it with various oxides these are painted onto the piece. I sprinkle sawdust inside and some more oxides then wrap it in foil. Sawdust and wood is placed at the bottom of the pit, a BBQ grill is placed on top. I sprinkle oxides and salt then the work is loaded onto the grill. Wood is stacked on top. The pit is fired for 2 hours to reach a good temperature to hold the colours and if all goes well some reduction takes place.